Aaron talks about creating believable characters through different emotions.
Acting for Animation

Join Aaron Blaise as he shows you his approach to creating characters filled with life!
Lessons
02 Animating Emotion
Learn the importance to understand deeply who your character is.
03 Pantomime
Understand what’s going on with your character without a dialogue.
04 Pose to Pose Animation
Aaron explains one of his most used animation approaches.
05 More Pose to Pose Animation
Elaborate one more “pose to pose animation” exercise
06 Straight Ahead Animation
Find an attitude for your character and then sitting down and animating straight ahead.
07 Thumbnailing
Go through all the process in real time, from the recording of the dialogue through thumbnailing and connecting the animation.
08 Adding Thumbnails to the Timeline
Watch how Aaron lays his thumbnails out on the timeline.
09 Adding Rough Connective Animation
Put connective tissue inbetween each of the thumbnails you have done.
10 Adding More Connective Animation
Buff up the rough look of your animation, adding details while pushing the emotions.
11 Continuing with Rough Connective Animation
Do a quick re-cap and acquire tips to add connective tissue to your animation.
12 Finishing Up with Rough Connective Animation
Look over and identify a correct conection between all your animation.
13 Tying Down the Shot Part 1
Redraw your thumbnails as sketches, the goal is to make them nice and pretty.
14 Tying Down the Shot Part 2
Play with the expressions and make sure every frame stays really solid from drawing to drawing.
15 Tying Down the Shot Part 3
Learn that, with practice, some of your drawings will not need a redesign.
16 Tying Down the Shot Part 4
Synchronize the animation and dialogue, focusing atenttion in the mouth of your character.
17 Tying Down the Shot Part 5
Aaron checks that the emotions in the animation are the ones he wants to express.
18 Tying Down the Shot Part 6
Review the latest details and pieces to be drawn.
19 Doing the Rough Inbetweens
Review once more, and add the small details necessaries to be sure your animation doesn’t lack drawings.
20 The Finished Shot
Aaron reminds you the more you do animation, the better you get.